A Dartmoor Country Dance Party
Bob Cann's Pixie Band playing live for dancing at Victory Hall, South Zeal, in 1988, with Bob calling the dances.
Bob Cann's Pixie Band playing live for dancing at Victory Hall, South Zeal, in 1988, with Bob calling the dances.
Jim Causley and Miranda Sykes mark the centenary of Sabine Baring-Gould's death with an album of songs he collected on and around Dartmoor.
Seth Lakeman's recording of the traditional Dartmoor ballad of Childe the Hunter, from his 2006 album Freedom Fields. Collected by Baring-Gould.
Old books sometimes spell "Fice's Well" differently. Which of these is one of those spellings?
Jim Causley's 2021 double album of 40 Devonshire songs, the final chapter in his trilogy of Devon song albums.
Jim Causley's 2020 collection of 20 best-loved Devonshire songs, the second in his trilogy of Devon song albums.
Bill Murray's 2008 collection of traditional Dartmoor songs and music, produced with Wren Music.
Jim Causley's 2011 collection of lesser-known Devon folk songs, the first in his trilogy of Devonshire song albums.
Seth Lakeman's 2004 album, recorded in a Horrabridge kitchen and nominated for the 2005 Mercury Prize. The title song tells the story of Jay's Grave.
Manaton
Seth Lakeman's song of the Dartmoor legend of Kitty Jay, the servant girl buried at the crossroads near Hound Tor. Title track of his 2004 album.
Sunset from Lints Tor. Photograph by Glavind Strachan Photography“The longer one stays here the more does the spirit of the moor sink into one's soul, its vastness, and also its grim charm.”
Also on Our DartmoorStone Row — Bronze Age stones arranged in a purposeful line across Dartmoor's open moorland, their meaning still debated by archaeologists.